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Home›LUTs & Presets›SBG Pro Series | Zcam Cool Film LUT
SBG Pro Series | Zcam Cool Film LUT

SBG Pro Series | Zcam Cool Film LUT

$15.00

MONITOR & GRADE WITH CONFIDENCE

This is a single LUT designed to address the areas where the Stock Zcam LUTs fall short. This LUT is a Rec 709 LUT with a film emulation & cool tones designed for Zlog 2.This LUT is designed to be used as both monitoring LUT, and a LUT that can used in a post production workflow. This is a Rec 709 LUTs designed specifically for Zlog 2.

 

BEAUTIFUL SKINTONES

• Every LUT is designed to bring the beautiful skin tones that can be achieved with the Zcam Color Science to life. Some of the LUTs opt for more saturated skin tones, while others have a slight muted, but still lively appearance.

MINIMAL ADJUSTMENTS

• Each LUT is designed to be controlled with simple Temperature and Tint Adjustments both in camera and in post to achieve desired color and proper skin tones with different lighting situations. Total values can be easily adjusted with Lift Gamma Gain Wheels, or with the Sliders. 

CINEMATIC LOOK AND FEEL

• These LUTs are specially designed to pull out beautiful colors and tonal values throughout the image. Regardless of if you opt for one of the simple Rec 709 conversions, or a LUT with a film Look within the pack. 

Reviews
Resources That Work

Designed to Perform

The words "Cinematic" and "Filmic" are hot words thrown around the film and photo industry like the word "Pro" in the tech world. All of ourresources are designed to walk the walk. Each LUT, Preset, and Course is designed to not only optimize your workflow, but help easily achieve a professional and polished end product with ease.

Quality Is MANDATORY

The world of buying resources online is a stressful one because you never know what you're going to get. Here at Shop SBG, all product products are designed to live up to the scrutiny of perfectionist. Because I am one.

FAQ

Commonly Asked Questions

  • Supported Cameras & Profiles

    All resources, unless otherwise specified in the title, are designed to work with all cameras. LUTs are specifically designed to work with LOG footage. If log is not possible, then shooting in a FLAT profile works as well. Presets are designed to work RAW photo's however with adjusting can work with JPEGs.

    If there happens to be a camera out there that isn't supported,  then contact our team and we will have solution within 24hrs.

    sidney@sidneybakergreen.com

  • Supported Programs

    LUTS:

    All LUTs are designed in the Industry Standard DaVinci Resolve for maximum performance with respect to color. However, as long as your program supports the use of lets, and color tools, then you will be able to use these LUTs!

    Presets:
    All presets are designed to be used in the latest versions of Adobe Lightroom Classic, Adobe Lightroom CC & Adobe Camera Raw.

  • Product Updates

    Always improving in our core standard. Periodically products receive updates, and sometimes even additions for free. Always keep an eye on your email.

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