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SBG CineZ Powergrades | Zcam Zlog2 for DaVinci Resolve

SBG CineZ Powergrades | Zcam Zlog2 for DaVinci Resolve

$99.00

The SBG CineZ Powergrades for Zcam Zlog2 is a collection of eight specially crafted powergrades and two custom Kodak 2383 LUTs for DaVinci Resolve. They are designed to bring out the best in your footage, with emphasis on maintaining faithful skin tones for both lighter and darker subjects.

In detail, this pack offers:

  • Powergrades: A set of 8 powergrades, each tailored for a specific purpose. Seven are designed for use with the DaVinci Wide Gamut, addressing the unique needs of users working with Zlog2. The remaining powergrade is created for ACES workflows, aligning with industry-standard practices.

  • Custom Kodak 2383 LUTs: Two distinct LUTs inspired by the renowned Kodak® Vision3 250D and Kodak® Vision3 200T. These can be employed within the Film Print Compound Node for an added layer of color and tone manipulation.

  • HDR and SDR Deliverables: The powergrades and LUTs cater to both HDR (High Dynamic Range) and SDR (Standard Dynamic Range) content, ensuring they are suitable for a wide range of creative and technical requirements.

  • User-friendly Design: These powergrades are crafted for ease of use. Adjustments can typically be made with the Offset wheel and Color Primaries, ensuring a smooth and efficient grading process.

  • Extensive Testing: Over a year and 720 hours have been invested in creating and refining these powergrades, with each one being thoroughly tested on a diverse range of footage. This meticulous testing process guarantees that, as long as your Zlog2 footage is properly exposed, you'll be able to yield pleasing and consistent results.

  • Tutorial Support: To help you get the most out of this pack, it includes a comprehensive 25-minute tutorial. Complete with subtitles for the hearing-impaired, this guide provides a step-by-step process to make the best use of the powergrades.

The SBG CineZ Powergrades | Zcam Zlog2 collection represents a combination of hard work, extensive testing, and an emphasis on user-friendly design. It aims to deliver the tools you need to elevate your color grading process and achieve high-quality, visually pleasing results.

 


 

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FAQ

Commonly Asked Questions

  • Supported Cameras & Profiles

    All resources, unless otherwise specified in the title, are designed to work with all cameras. LUTs are specifically designed to work with LOG footage. If log is not possible, then shooting in a FLAT profile works as well. Presets are designed to work RAW photo's however with adjusting can work with JPEGs.

    If there happens to be a camera out there that isn't supported,  then contact our team and we will have solution within 24hrs.

    sidney@sidneybakergreen.com

  • Supported Programs

    LUTS:

    All LUTs are designed in the Industry Standard DaVinci Resolve for maximum performance with respect to color. However, as long as your program supports the use of lets, and color tools, then you will be able to use these LUTs!

    Presets:
    All presets are designed to be used in the latest versions of Adobe Lightroom Classic, Adobe Lightroom CC & Adobe Camera Raw.

  • Product Updates

    Always improving in our core standard. Periodically products receive updates, and sometimes even additions for free. Always keep an eye on your email.

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